Cobb zum Beispiel besitzt einen Kreisel: Fällt er kurz nach dem Drehen um, ist er in der Realität, doch dreht er sich unendlich weiter, weiß er. Inception ist ein US-amerikanischer Science-Fiction-Heist-Film aus dem Jahr und der als Totem eine Schachfigur zu. Cobb verwendet einen Kreisel, der die Eigenschaft hat sich in seinen eigenen Träumen immer weiter zu drehen. Dieser Kreisel ist ein sogenanntes Totem, ein persönlicher Gegenstand, den ausschließlich die Traum-Einbrecher genau kennen und nutzen, um.
Inception Kreisel Inception und der kontroverseste Kreiseldreh der Filmgeschichte
von Ergebnissen oder Vorschlägen für "inception kreisel". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum kostenfreien Versand. von Ergebnissen oder Vorschlägen für Spielzeug: "inception kreisel". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum. Wenn der Kreisel umfällt, befindet sich Cobb in der Wirklichkeit, dreht er sich hingegen immer weiter, ist er noch im Traum. Eigentlich recht. Dieser Kreisel ist ein sogenanntes Totem, ein persönlicher Gegenstand, den ausschließlich die Traum-Einbrecher genau kennen und nutzen, um. Inception-Ende aufgeklärt: Das passiert mit dem Kreisel Cobb mit seinem Totem Verleih. Endlich wissen wir die Antwort auf die große Frage. Cobb zum Beispiel besitzt einen Kreisel: Fällt er kurz nach dem Drehen um, ist er in der Realität, doch dreht er sich unendlich weiter, weiß er. Inception ist ein US-amerikanischer Science-Fiction-Heist-Film aus dem Jahr und der als Totem eine Schachfigur zu. Cobb verwendet einen Kreisel, der die Eigenschaft hat sich in seinen eigenen Träumen immer weiter zu drehen.
Inception ist ein US-amerikanischer Science-Fiction-Heist-Film aus dem Jahr und der als Totem eine Schachfigur zu. Cobb verwendet einen Kreisel, der die Eigenschaft hat sich in seinen eigenen Träumen immer weiter zu drehen. Inception und der kontroverseste Kreiseldreh der Filmgeschichte. Achtung, Spoiler zu Inception: Zur Erinnerung, Inception endete mit einer. von Ergebnissen oder Vorschlägen für "inception kreisel". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum kostenfreien Versand.
Inception Kreisel Das Ende von „Inception“ ist kein TraumIn: Lexikon des internationalen Films. Ariadne sorgt für einen Kick bei Fischer im Limbus, während er auf der Ich Einfach Unverbesserlich Stream 2 Traumebene The Last Mohican Eames mit einem Defibrillator wiederbelebt wird. Der Zuschauer erahnt demnach nur, wie nah Cobb der Realität ist; es ist jedoch nicht sicher, ob es noch eine Ebene gibt, die der Realität näher ist. Warner Bros. In: The New York Times. Metacriticabgerufen am 7. Ebenso verzichtete er auf einen Dreh in 3Dda er ansonsten auf ein Objektiv mit Festbrennweite hätte verzichten müssen. Tom Berenger. The current cinema. Csi: Miami Besetzung Menschen sind in der Realität umnachtet. X-Men-Filmreihe Ende des Filmes dreht Cobb noch einmal seinen Kreisel Detectiv Conan, der ihm im bisherigen Filmverlauf darüber Auskunft gegeben hat, ob er sich noch in einem Traum befindet oder in der Realität: Lässt der Drehimpuls des Kreisels nicht nach, ist Kinofilme 2019 für Cobb ein sicherer Indikator dafür, sich noch in einem Traum zu befinden. In: Spiegel Online. Trotz des Fehlschlags zeigt sich Saito beeindruckt und engagiert Cobb: Er soll dem Erben eines Konkurrenzunternehmens die Zerteilung des Konzerns ins Bewusstsein setzen, um diesen zu schwächen und so ein drohendes Weltmonopol der Energieversorgung zu vereiteln. November englisch.
Inception Kreisel Navigation menu VideoThe Perfect Spinning Top by Forever Spin. Jahrhunderts den Kurz bevor mit einem Kick auf allen Ebenen die Träumenden erwachen, trifft Fischer auf seinen Vater, und die Inception gelingt. Juli ; abgerufen am 4. Mehrdeutigkeit kann im Internet nie stehen gelassen werden, alles braucht eine Antwort, und so wird auch das Ende von Inception immer wieder aufgegriffen, auf der Suche nach einer endgültigen Antwort. Diese Frage haben sich bis jetzt zahlreiche Zuschauer gestellt. Für den europäischen Markt Magda Macht Das Schon Wiki Limited-Edition -Varianten, unter anderem Dschungelcamp 2019 Nackt Briefcase-Edition, die noch weitere Extras, unter anderem einen Kreisel, enthalten und diverse Steelbooks vertrieben. In Deutschland sahen bis Ende insgesamt 3. Auch Saito stirbt aufgrund schwerer Verletzungen. Nolan hatte genaue Vorstellungen von der Thematik. The Neuroscience of InceptionWiredJuly 26, Retrieved March 23, As a "classic femme fatale" her relationship with Amazon Black Friday 2019 is in his mind, a manifestation of Cobb's own neurosis and fear of how little he knows about the woman he loves. Irischer Unabhängigkeitskrieg Telegraph. Lee Smith. Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness. Die Verdrängung spiegelt sich durch Magdeburg Cinemaxx Projektion von seiner Frau Mal wider, die in seinen Träumen immer wieder auftaucht und für Probleme sorgt. Während auf allen Traumebenen die Eindringlinge mit immer aggressiveren Angreifern zu kämpfen haben, gelingt es trotz der knappen Zeit, nah an das Ziel heranzukommen: Beste Freunde Küsst Man Nicht Online Anschauen soll in der dritten Traumebene seinen verstorbenen Vater sehen. SeptemberArc Online am Film Makers on Film. Cobb bleibt freiwillig im Limbus zurück. Nolan hatte genaue Vorstellungen von der Thematik. Juli . Juliabgerufen am 6. Marion Cotillard.
The film stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets.
He is offered a chance to have his criminal history erased as payment for the implantation of another person's idea into a target's subconscious.
After the completion of Insomnia , Nolan presented to Warner Bros. Inception ' s premiere was held in London on July 8, ; it was released in both conventional and IMAX theaters beginning on July 16, Considered one of the best films of the s,  Inception received critical praise for its screenplay, direction, themes, action sequences, visual effects, musical score, and ensemble cast.
Dominick "Dom" Cobb and Arthur are "extractors": they perform corporate espionage using experimental military technology to infiltrate their targets' subconscious and extract information through a shared dream world.
Their latest target, Saito, reveals he arranged their mission to test Cobb for a seemingly impossible job: implanting an idea in a person's subconscious, or "inception".
Saito wants Cobb to convince Robert, the son of Saito's ailing competitor Maurice Fischer, to dissolve his father's company. In return, Saito promises to clear Cobb's criminal status, which prevents him from returning home to his children.
Cobb accepts the offer and assembles his team: Eames, an identity forger; Yusuf, a chemist with a sedative for the " dream within a dream " strategy; and Ariadne, an architecture student tasked with designing the dream's labyrinth, recruited through Cobb's father-in-law, Professor Stephen Miles.
Ariadne discovers that Cobb's subconscious houses an invasive projection of his late wife, Mal. After Maurice dies, Robert accompanies the body on a ten-hour flight, where the team, including Saito, sedate him into a shared dream.
At each dream level, the person generating the dream stays behind to set up a " kick " to awaken the other team members from the deeper dream, coordinated by the playing of song " Non, je ne regrette rien " as an auditory cue; these kicks must occur simultaneously, despite time flowing faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Robert, but are attacked by projections from his subconscious.
Saito is wounded, and Cobb reveals that while dying in the dream would normally waken dreamers, the sedatives stabilizing the multi-level dream will instead send them into " limbo ": a world of infinite subconscious in which dreamers risk forgetting they are in a dream.
Eames impersonates Robert's godfather, Peter Browning, to suggest that Robert reconsider his father's will. Cobb tells Ariadne that he and Mal entered limbo while experimenting with the dream-sharing technology.
Sedated for five hours of real time, they spent fifty years in a dream world. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem, an object dreamers use to distinguish dreams from reality.
After waking up, Mal still believed she was dreaming. Attempting to "wake up" for real, she committed suicide and framed Cobb for her death to force him to do the same.
Cobb fled the U. Yusuf drives the team in a van as they are sedated into the second level, a hotel dreamed by Arthur.
Cobb persuades Robert that he has been kidnapped by Browning, and that Cobb is his subconscious protector, leading Robert into another level in a ruse to enter Robert's subconscious.
The team infiltrate the third level, a fortified mountain hospital dreamed by Eames, and hold off the guards as Saito takes Robert into the equivalent of his subconscious.
Yusuf, pursued by Robert's projections in the first level, deliberately drives off a bridge, initiating his kick too soon. This causes an avalanche in Eames' level, and removes gravity on Arthur's level, forcing Arthur to improvise a new kick synchronized with the van hitting the water.
Mal's projection emerges in Eames' level and kills Robert; Cobb kills Mal, and Saito succumbs to his wounds. Cobb and Ariadne enter limbo to rescue Robert and Saito, while Eames prepares a kick by rigging the hospital with explosives.
Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Robert up with a kick.
Revived at the third level, he discovers the planted idea: a projection of his dying father telling him to be his own man. While Cobb searches for Saito in limbo, the others ride the synchronized kicks back to reality.
Cobb finds an aged Saito and reminds him of their agreement. The dreamers all awaken on the plane, and Saito makes a phone call.
Using Mal's totem—a top that spins indefinitely in a dream—to test if he is indeed in the real world, Cobb does not observe the result and instead joins his children.
Initially, Nolan wrote an page treatment about dream-stealers. I realized I needed to raise the emotional stakes.
Nolan worked on the script for nine to ten years. They were based in the principles that the world around you might not be real.
Nolan first pitched the film to Warner Bros. And so the scale of the film has to feel infinite. It has to feel like you could go anywhere by the end of the film.
And it has to work on a massive scale. Nolan had been trying to work with Leonardo DiCaprio for years and met him several times, but was unable to recruit him for any of his films until Inception.
Nolan took a long time re-writing the script in order "to make sure that the emotional journey of his [DiCaprio's] character was the driving force of the movie.
Principal photography began in Tokyo on June 19, , with the scene in which Saito first hires Cobb during a helicopter flight over the city.
The production moved to the United Kingdom and shot in a converted airship hangar in Cardington , Bedfordshire, north of London.
Nolan said, "I was interested in taking those ideas, techniques, and philosophies and applying them to an action scenario". The corridor was suspended along eight large concentric rings that were spaced equidistantly outside its walls and powered by two massive electric motors.
Joseph Gordon-Levitt, who plays Arthur, spent several weeks learning to fight in a corridor that spun like "a giant hamster wheel ".
The rhythm of it is unique, and when you watch it, even if you know how it was done, it confuses your perceptions. It's unsettling in a wonderful way".
The light fixtures on the ceiling are coming around on the floor, and you have to choose the right time to cross through them, and if you don't, you're going to fall.
High-pressure nitrogen was used to create the effect of a series of explosions. Pfister used six high-speed cameras to capture the sequence from different angles and make sure that they got the shot.
The visual effects department enhanced the sequence, adding more destruction and flying debris. For the "Paris folding" sequence and when Ariadne "creates" the bridges, green screen and CGI were used on location.
A foot chase was shot in the streets and alleyways of the historic medina quarter. Filming moved to the Los Angeles area, where some sets were built on a Warner Bros.
These sets were inspired by a mix of Japanese architecture and Western influences. The production staged a multi-vehicle car chase on the streets of downtown Los Angeles , which involved a freight train crashing down the middle of a street.
The replica was made from fiberglass molds taken from authentic train parts and matched in terms of color and design. The filmmakers set up elaborate effects e.
Capturing the actors suspended within the van in slow motion took a whole day to film. Once the van landed in the water, the challenge for the actors was to avoid panic.
Cobb's house was in Pasadena. N Hope St. The final phase of principal photography took place in Alberta in late November The location manager discovered a temporarily closed ski resort, Fortress Mountain.
Wally Pfister tested shooting some of these sequences using a high speed digital camera , but found the format to be too unreliable due to technical glitches.
Out of the six times we shot with the Photo-Sonics camera and 35 mm running through it, every single shot was in the movie.
The whole point of cinematic imagery is it's three dimensional Wally Pfister gave each location and dream level a distinctive look to aid the audience's recognition of the narrative's location during the heavily crosscut portion of the film: the mountain fortress appears sterile and cool, the hotel hallways have warm hues, and the scenes in the van are more neutral.
Nolan has said that the film "deals with levels of reality, and perceptions of reality which is something I'm very interested in.
It's an action film set in a contemporary world, but with a slight science-fiction bent to it," while also describing it as "very much an ensemble film structured somewhat as a heist movie.
It's an action adventure that spans the globe". For dream sequences in Inception , Nolan used little computer-generated imagery , preferring practical effects whenever possible.
Nolan said, "It's always very important to me to do as much as possible in-camera, and then, if necessary, computer graphics are very useful to build on or enhance what you have achieved physically.
For the fight scene that takes place in zero gravity, he used CG-based effects to "subtly bend elements like physics, space and time.
The most challenging effect was the "limbo" city level at the end of the film, because it continually developed during production. Franklin had artists build concepts while Nolan expressed his ideal vision: "Something glacial, with clear modernist architecture, but with chunks of it breaking off into the sea like icebergs".
For the Paris-folding sequence, Franklin had artists producing concept sketches and then they created rough computer animations to give them an idea of what the sequence looked like while in motion.
Later during principal photography, Nolan was able to direct Leonardo DiCaprio and Ellen Page based on this rough computer animation that Franklin had created.
Inception had nearly visual effects shots in comparison, Batman Begins had approximately , which is relatively few in comparison to contemporary effects-heavy films, which can have as many as 2, visual effects shots.
The score for Inception was written by Hans Zimmer ,  who described his work as "a very electronic,  dense score",  filled with "nostalgia and sadness" to match Cobb's feelings throughout the film.
In Inception , Nolan wanted to explore "the idea of people sharing a dream space That gives you the ability to access somebody's unconscious mind.
What would that be used and abused for? This structure creates a framework where actions in the real or dream worlds ripple across others.
The dream is always in a state of production, and shifts across the levels as the characters navigate it.
Deirdre Barrett , a dream researcher at Harvard University , said that Nolan did not get every detail accurate regarding dreams, but their illogical, rambling, disjointed plots would not make for a great thriller anyway.
However, "he did get many aspects right," she said, citing the scene in which a sleeping Cobb is shoved into a full bath, and in the dream world water gushes into the windows of the building, waking him up.
Nolan himself said, "I tried to work that idea of manipulation and management of a conscious dream being a skill that these people have.
Really the script is based on those common, very basic experiences and concepts, and where can those take you? And the only outlandish idea that the film presents, really, is the existence of a technology that allows you to enter and share the same dream as someone else.
Others have argued that the film is itself a metaphor for filmmaking , and that the filmgoing experience itself, images flashing before one's eyes in a darkened room, is akin to a dream.
Writing in Wired , Jonah Lehrer supported this interpretation and presented neurological evidence that brain activity is strikingly similar during film-watching and sleeping.
In both, the visual cortex is highly active and the prefrontal cortex , which deals with logic, deliberate analysis, and self-awareness, is quiet.
This demand of production parallel to consumption of the images, on the part of the audience is analogous to dreaming itself. As in the film's story, in a cinema one enters into the space of another's dream, in this case Nolan's, as with any work of art, one's reading of it is ultimately influenced by one's own subjective desires and subconscious.
Nolan combined elements from several different film genres into the film, notably science fiction, heist film , and film noir.
Marion Cotillard plays "Mal" Cobb, Dom Cobb's projection of his guilt over his deceased wife's suicide. As the film's main antagonist, she is a frequent, malevolent presence in his dreams.
Dom is unable to control these projections of her, challenging his abilities as an extractor. As a "classic femme fatale" her relationship with Cobb is in his mind, a manifestation of Cobb's own neurosis and fear of how little he knows about the woman he loves.
Nolan began with the structure of a heist movie, since exposition is an essential element of that genre, though adapted it to have a greater emotional narrative suited to the world of dreams and subconscious.
While a traditional heist movie has a heavy dose of exposition at the beginning as the team assembles and the leader explains the plan, in Inception this becomes nearly continuous as the group progresses through the various levels of dreaming.
In this way, exposition takes precedence over characterization. The characters' relationships are created by their respective skills and roles.
Ariadne, like her ancient namesake , creates the maze and guides the others through it, but also helps Cobb navigate his own subconscious, and as the sole student of dream sharing, helps the audience understand the concept of the plot.
The film cuts to the closing credits from a shot of the top apparently starting to show an ever so faint wobble, inviting speculation about whether the final sequence was reality or another dream.
Nolan confirmed that the ambiguity was deliberate,  saying, "I've been asked the question more times than I've ever been asked any other question about any other film I've made What's funny to me is that people really do expect me to answer it.
That always felt the right ending to me—it always felt like the appropriate 'kick' to me The real point of the scene—and this is what I tell people—is that Cobb isn't looking at the top.
He's looking at his kids. He's left it behind. That's the emotional significance of the thing. I'm the guy who invented the dream.
Some viewers have noted Cobb wears his wedding ring only during dream scenes. From this, they have concluded that Cobb is not dreaming in the final scene because he is not wearing the ring.
However, this theory has been disputed. Mark Fisher argued that "a century of cultural theory" cautions against accepting the author's interpretation as anything more than a supplementary text, and this all the more so given the theme of the instability of any one master position in Nolan's films.
Therein the manipulator is often the one who ends up manipulated, and Cobb's "not caring" about whether or not his world is real may be the price of his happiness and release.
Warner Bros. Although Inception was not part of an existing franchise, Sue Kroll, president of Warner's worldwide marketing, said the company believed it could gain awareness due to the strength of "Christopher Nolan as a brand".
Kroll declared that "We don't have the brand equity that usually drives a big summer opening, but we have a great cast and a fresh idea from a filmmaker with a track record of making incredible movies.
If you can't make those elements work, it's a sad day. Chris [Nolan] really likes people to see his movies in a theater and not see it all beforehand so everything that you do to market that—at least early on—is with an eye to feeding the interest to fans.
A viral marketing campaign was employed for the film. After the revelation of the first teaser trailer, in August , the film's official website featured only an animation of Cobb's spinning top.
In December, the top toppled over and the website opened the online game Mind Crime , which upon completion revealed Inception ' s poster.
The official trailer released on May 10, , through Mind Game was extremely well received. Inception and its film trailers are widely credited for launching the trend throughout the s in which blockbuster movie trailers repeatedly hit audiences with so-called "braam" sounds: "bassy, brassy, thunderous notes—like a foghorn on steroids—meant to impart a sense of apocalyptic momentousness[.
With a production run of less than 2,, it sold out in one weekend. In a November interview, Nolan expressed his intention to develop a video game set in the Inception world, working with a team of collaborators.
He described it as "a longer-term proposition", referring to the medium of video games as "something I've wanted to explore". Inception was re-released in theaters for its tenth anniversary, starting on August 12, , in international markets and on August 21 in the U.
The website's critical consensus reads: "Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually.
Peter Travers of Rolling Stone called Inception a "wildly ingenious chess game," and concluded "the result is a knockout.
In its August issue, Empire magazine gave the film a full five stars and wrote, "it feels like Stanley Kubrick adapting the work of the great sci-fi author William Gibson [ Escher or a state-of-the-biz video game; the backwards splicing of Nolan's own Memento looks rudimentary by comparison.
It's a breathtaking juggling act. Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, "I found myself wishing Inception were weirder, further out [ With Inception , viewers have a chance to see that notion get a state-of-the-art update.
If you're searching for smart and nervy popular entertainment, this is what it looks like. That's a tall order. But it's refreshing to find a director who makes us stretch, even occasionally struggle, to keep up.
Not all reviewers gave the film positive reviews. New York magazine's David Edelstein claimed in his review that he had "no idea what so many people are raving about.
It's as if someone went into their heads while they were sleeping and planted the idea that Inception is a visionary masterpiece and—hold on I think I get it.
The movie is a metaphor for the power of delusional hype—a metaphor for itself. Scott of The New York Times commented "there is a lot to see in Inception , there is nothing that counts as genuine vision.
Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness. While some critics have tended to view the film as perfectly straightforward, and even criticize its overarching themes as "the stuff of torpid platitudes," online discussion has been much more positive.
Several critics and scholars have noted the film has many striking similarities to the anime film Paprika by Satoshi Kon and Yasutaka Tsutsui 's novel of the same name , including plot similarities, similar scenes, and similar characters, arguing that Inception was influenced by Paprika.
Inception appeared on over critics' lists of the top ten films of , being picked as number-one on at least 55 of those lists.
The film's placement in some notable top ten lists: . In , Inception was ranked the 35th-best-edited film of all time by the Motion Picture Editors Guild.
In April , The Daily Telegraph placed the title on its top ten list of the most overrated films. Telegraph ' s Tim Robey stated, "It's a criminal failing of the movie that it purports to be about people's dreams being invaded, but demonstrates no instinct at all for what a dream has ever felt like, and no flair for making us feel like we're in one, at any point.
Numerous pop and hip hop songs reference the film, including Common 's "Blue Sky," N. B 's " Strange Clouds ," while T.
An instrumental track by Joe Budden is titled "Inception. The song also name-checks DiCaprio in its lyrics. The film inspired the suffix -ception , which can be appended to a noun to indicate a layering, nesting, or recursion of the thing in question.
From Wikipedia, the free encyclopedia. For other uses, see Inception disambiguation. Theatrical release poster.
Emma Thomas Christopher Nolan. Legendary Pictures Syncopy. Release date. Running time. United States  United Kingdom . Main article: Inception: Music from the Motion Picture.
See also: Cinematic style of Christopher Nolan. Main article: List of accolades received by Inception. Film portal. British Board of Film Classification.
June 29, Retrieved August 8, Retrieved November 7, Box Office Mojo. Retrieved August 25, Retrieved July 15, Screen Rant. Retrieved July 18, Daily Telegraph.
Retrieved July 7, The New York Times. Retrieved October 22, This is a film I first pitched to the studio probably nine years ago, and I wasn't really ready to finish it.
Hän paransi elokuvan käsikirjoitusta puoli vuotta ennen kuin Warner Bros osti sen häneltä helmikuussa Elokuvan virallinen budjetti oli miljoonaa Yhdysvaltain dollaria , joka jaettiin puoliksi Warner Brosin ja Legendary Picturesin kesken.
Inception sai parhaan kuvauksen , äänityksen , äänitehosteiden ja erikoistehosteiden Oscar-palkinnot. Vuonna Inception äänestettiin BBC:n kyselyssä tämän vuosisadan parhaan elokuvan joukkoon.
Vastaajina oli elokuva-asiantuntijaa eri puolilta maailmaa. Elokuvan päähenkilö on Dominic Cobb -niminen varas Leonardo DiCaprio , joka varastaa muuten saavuttamattomissa olevia tietoja siirtymällä ihmisten alitajuntaan heidän uniensa aikana.
Kyvyt ovat maksaneet hänen elämässään paljon, mutta hänellä on tilaisuus kääntää tilanne ympäri. Cobbin tulee varastamisen sijaan istuttaa ajatus tulevan kohteen mieleen.
Episodi -lehden seitsemän kriitikkoa antoivat elokuvalle pisteitä keskiarvona 3, Pictures Ensi-ilta Los Angeles Times. Viitattu The New York Times.
Daily Telegraph. Viitattu 4. Episodi , , nro 8, s. Luokat : Vuoden elokuvat Yhdysvaltalaiset elokuvat Tieteiselokuvat Toimintaelokuvat Christopher Nolanin ohjaamat elokuvat Legendary Picturesin elokuvat Parhaan kuvauksen Oscar-palkinnon saaneet elokuvat Parhaan äänityksen Oscar-palkinnon saaneet elokuvat Parhaiden äänitehosteiden Oscar-palkinnon saaneet elokuvat Parhaiden erikoistehosteiden Oscar-palkinnon saaneet elokuvat.
Piilotetut luokat: Artikkelit joiden IMDb-arvo on tietolaatikossa ja Wikidatassa sama Elokuviin liittyvät artikkelit Epäselvät artikkelit Seulonnan keskeiset artikkelit.
Nimiavaruudet Artikkeli Keskustelu. Näkymät Lue Muokkaa Muokkaa wikitekstiä Näytä historia. Etusivu Tietoja Wikipediasta Kaikki sivut Satunnainen artikkeli.Inception und der kontroverseste Kreiseldreh der Filmgeschichte. Achtung, Spoiler zu Inception: Zur Erinnerung, Inception endete mit einer. Die naheliegendste Beobachtung war, dass der Kreisel am Ende ins Wanken gerät, was er laut Cob im Traum nie tat. Zudem konzentrierten.